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JJ Pinckney: “Freedom, unfiltered.”

JJ Pinckney's work and ethos display a swirling companionship of freedom and service. Strolling around his Crown Heights studio, Found Wonder, JJ shed light on both his capability, philosophy, and the intentionality of his imagination-fueled expressions.

With only two years behind him as an artist, JJ has a particular advantage the classically trained do not. Most of our definitions of freedom are defined in rebellion to authority, but JJ's is pure. He isn't beholden to any rules or no-no's and, therefore, is led by exploration and instinct. JJ doesn't stagnate in magical intuition, however. He recognizes that all of the greatest greats we're incredibly studious. Even as a D1 football player, he'd watch film to develop his game. Creating his best work demands the same discipline and intention.

A nuanced balance of novelty and tradition finds itself in Afro Samurai, a large-scale piece where JJ employs the Dadaist technique, "Automatic Drawing," before he even knew what to call it. JJ lets the brush, crayons, spray paint, and countless other mediums lead him. Using his unconscious mind, JJ allows the painting to unearth itself through movement and energy. The "pandemic painting" was a confident and raw moment in JJ's life, and it's clear to see.

From the unconscious mind to hyper-awareness, JJ recognizes his strength is his voice. His clear and pointed vision can deliver poignant messages of illumination. This is his greater purpose, This is the service his creative freedom leads him to.

Our free-flowing conversation exposed his intellectual nature, not only in art history and their most significant leaders but human history.

Smoking Walking Down Marcus Garvey Boulevard depicts Marcus Garvey in a decapitated state, limbs estranged from his body living as merely a name on a street sign in so many young(and old) lives. JJ comments on the watering down of Black leaders and how their messages of strength and fortitude are twisted into near-submissive liberalism by America's brilliantly malicious PR strategy - eventually beating heroes down to patronizing and useless symbols.

The messaging starts early, as Sesame Street shows. "It's really about the miseducation that black people have to endure." The reptilian teacher seems to have just finished a lecture and is in a slack-jawed state in a state of euphoria. Its head points upward reveling in the misery of the mentally and physically flattened boy that lies on the floor. His only relief from the throws of subconscious oppression is a panel of comic books. Mirroring life, the boy's entertainment sedates what would likely be a visceral rejection of mistruths.

The culmination of JJ's depiction of a reality written to befit a falsely superior culture culminates in The Extraction of Black Genius with a klansman poking at what feels like the viewer's very own brain. The rich red drives the near rageful discontent JJ feels and fuels the choice we all have: to be one more flattened spirit drowned in mistruths like the one resting at the bottom of the painting or to, as JJ put's it, "pull up the text and read it for yourself."

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Keilley Banks: Forging Community and Connection Through Art

Keilley Banks’ evolution as a visual artist and curator is a multifaceted story of reinvention, self-discovery, and a commitment to building community. From navigating the structures of the corporate world to embracing the fluidity of artistic expression, Banks has created a mosaic of experiences—one defined by empowerment and the creation of inclusive spaces for emerging artists.

From Corporate Suits to Canvas Hues
Banks’ transition into the art world was anything but conventional. Before fully immersing herself in creative work, she spent over three years in corporate public relations, including a demanding stint in financial PR. Though successful in her role, the pressures of the industry took a toll. “It burnt me out really crazy,” she admits, reflecting on the high-stakes, often hi-pace work environment.

Her corporate experience also reinforced the glaring issue of representation. While studying at a predominantly white institution (PWI), Banks took the initiative to establish the Black Public Relations Student Society—a response to the exclusion she encountered. “If they’re not going to give me a seat at the table, I’ll just make a new table,” say Banks. More than just a student organization, the society became a vital space for Black students to connect, access opportunities, and challenge industry norms. Its success, drawing 45 members to its inaugural meeting, underscored the essential need for spaces that prioritize inclusivity and equity.

A Moment of Reinvention
The global pause brought on by the COVID-19 pandemic provided Banks with the time and space for self-reflection. Leaving the corporate world behind, she sought a path that aligned more closely with her values and well-being. “I just decided I never wanted to be stressed out like that again,” she recalls. “I’d rather be unhappy in an artist’s way than unhappy in a corporate way.”

It was during this period of introspection that Banks initiated a new creative endeavor. “I didn’t even pick up a paintbrush until 2020,” Banks shares. What began as an intuitive process quickly developed into something deeper. “It just started happening,” she says, describing the organic emergence of her artistic practice.

Art as a Movement for Connection
At the core of Banks’ work is a deep engagement with personal narratives and collective experiences. Her paintings, often centered on Black identity, serve as vessels for storytelling and emotional expression. One such piece, Lend Me Your Hand, encapsulates this ethos. “I made that during a time where I needed help so badly,” she explains. Through her art, Banks communicates both struggle and solidarity, inviting viewers into moments of introspection and connection.

Beyond the canvas, Banks extends her artistic vision into community-building efforts. With her new platform, All My Friends Are Artists, she curates exhibitions and programming for emerging creatives, ensuring that artistic spaces remain accessible and collaborative. “I consider myself a community curator,” she explains. “I bring people together, and I typically bring them together through art.”

Her events further illustrate this commitment. More than just social gatherings, these experiences make a lasting impression on those who attend. “It was crazy—by the end, people were telling each other their entire life stories and supporting one another,” she recalls.

Banks is not just an artist—she is a community builder creating a movement that empowers emerging artists and redefines what it means to create with purpose. As she expands her impact, one thing remains clear: her work is not just about individual success but about uplifting an entire community through the power of art.

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Jessica Alazraki values the opportunity to represent her culturE

“It’s always about Latinx immigrants and their families.” Even using her children as references for some subjects, we see how deeply Alazraki values the opportunity to represent her culture.

It’s a warm spring day in April. Jessica Alazraki walks into Black Wall Street Gallery in Soho, carrying two large oil paintings. Wholly unplanned but almost as if destined, she unwraps the paintings she has scheduled to get framed around the corner at Soho Fine Arts to show the gallery’s curator and owner, Dr. Ricco Wright. Immediately enamored with her immense talent and artistry, Wright offers Alazraki a show on the spot; Jessica’s solo exhibition “La Familia” opened to a warm reception and a steady stream of guests throughout the month-long showing.

A large majority of Alazraki’s work centers around families, specifically Latinx families. When asked about her prime inspiration, she replied, “It’s always about Latinx immigrants and their families.” Even using her children as references for some subjects, we see how deeply Alazraki values the opportunity to represent her culture, going internally to share the diversity of Latinx culture. “Family is where my true wealth lies; it's the foundation for my art.”

The subjects have never changed; however, we see her use of brighter pigments in contrast to the duller backgrounds to highlight her issues. Tables symbolize family time, the members joining together in warm settings. One signature of Alazraki’s is the bright tablecloths featured in each piece. When describing the process behind creating the tablecloths, the methods evolved considerably. Starting from mixed media painting on fabric tablecloths, Alazraki went to printing the pattern on the canvas and painting over the print; her current method is painting the design without reference in an abstract form. “It lends itself to a nice composition, and it’s fascinating. But, of course, it helps to do abstract work,” she states when reflecting on her current process.

Despite being so detailed, Alazraki approaches each work with freedom, not knowing where the brush will take her. One of her biggest thrills is jumping in and not overthinking the process of capturing the painting. Not planning ahead of time gives Alazraki the freedom to change things around. However, she says her paintings will sometimes undergo last-minute changes.

Alazraki moves with confidence and humility for her craft. With a deep understanding of each role played in the art world, she recognizes that hers to maintain the integrity of her works. She shows up determined to tell the stories of her people on the canvas. While many eyes are on her future results, Alazraki focuses on her true love – La Familia – and art.

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Troy Jones: It’s Deeper than Black

Many Black Americans can easily go their entire lives without a strong connection to Africa. But there will always be breadcrumbs - cultural clues that live across Caribbean dishes rooted in Western African cuisine. 808s that awaken the spirit inspire ritualistic dances. Cravings for gold draped across brown skin like African Royalty. Even with these clues, it is easy to turn away from the origins of diasporic Aficans when looking back forces one to continue the dialogue around ancestral trauma. It’s hard to identify with a continent when everyone else gets a country. DNA tests don’t give you culture and the rising rhetoric around Foundational Black Americans, while undeniably prideful, often contrasts Pan-Africanist movements.

“Your history doesn’t start with slavery.” -Troy Jones

Troy Jones' work is a return to Marcus Garvey’s Pan-Africanist spirit. The work is filled with portraits that collide direct ancestral symbols with contemporary lifestyles. Statuesque figures stand tall with pride, donning West African masks that hint at the depth beyond the trauma we are all too familiar with.

“LV Made” shows the swirling contradictions that live within the Black experience. The figure, wrapped in jewelry, is dressed in Louis Vuitton with his hand over his heart. Jones points out the exploitative nature of brands like these, capitalizing on Black creativity. He points out our misplaced pride in consumerism - the deadfaced descendent of creativity. I heard the disappointment in his voice, uttering, “First Virgil, now they on Pharrell…why don’t we wear the Pan-African flag with the same pride?” Even this subtle criticism still feels overtly positive. However, in this piece, it's hard to tell whether the figure even knows the mask is on his face.

Jones reluctantly recalls times when African masks like these hung on the walls of European aristocrats. They were trophies of exoticism and conquest. Traditions reduced to knickknacks. This series of works is how Troy reclaims these birthrights. While his pieces are not as dense as the books and cultures that inform them, Jones’ works are philosophically provocative. Look deeper, and you’ll find the names of the featured masks written on the back of each canvas. Do the science, and you’ll learn each has a specific tribe, meaning, and ritual.

Many of these traditional masks are used to speak to God. When you look beyond the stains of history, there is a world of spirituality to take pride in. There is a celestial pride Jones upholds. “Our bloodline goes back to the beginning of time…Wherever it started, it started brown.” We can see this holiness in the Renaissance-inspired gold leaf used to spotlight the figure in “I am the Black Gold of the Sun”. Troy isn’t just creating beauty, he is reminding Pan-Africans that there is more to their story.

After his brush with exploitative characters, Jones finds himself taking more time with his works and being more intentional and spending time with his true legacy - his family. The smiles come out when he expresses joy in allowing his granddaughter to paint and draw unhindered alongside him. Jones hopes to leave paintings behind for her to discover. To encourage pride in herself. To remind her that her history is much longer and more profound than what school might teach. It is this mission that unites the creative and familial legacy of Troy Jones.

Writing By Marquez Woods

@quez_truly

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Art Hampton: Uniting Emerging Voices

More than just an art gallery, MRR Art Room inside Clubhouse Hampton has become a blend of cultures, stories, and unexplored potential: This has happened since last March. The latest exhibition, through the vision of the ever-inventive team at Art Hampton with CEO Ryan Zwick at the helm, invited a steady group of emerging artists across the globe. Each piece had not just a example of identity but was part a larger whole that told a collective story of culture, imagination, and shared humanity.

Art Hampton believes in the universal language of art and continues to push boundaries by curating experiences that are beyond geography. This show was no different. Despite different backgrounds, Artists work converged around a central theme: connection. It was through vivid color, texture, or quiet introspection that each artist offered something that felt both deeply personal and yet extremely relatable to the viewers.

It was a first for many of the participants, who had never exhibited in this capacity in this arena. Inclusion and accessibility made this moment possible--not just in terms of physical space but also mentorship, promotions, and dialogue through Art Hampton. In carving out this space, the organization has made possible the amplification and celebration of voices that are generally not heard.

The exhibition acted as a platform for discussion that advances the proposition of art as a border-dissolving instrument for community building. Visitors didn't just observe; they interacted. Sparks ignited conversations. People shared their stories. Contact information flew. In a time when division so often headlines everything, Art Hampton showed us what coming together could make happen.

The mission of Art Hampton continues to serve with this exhibition: bringing people closer with the arts. And if this exhibition is any indication, they have only just begun.

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Harlem Fine Arts Show 2025: A Celebration of Black Excellence and Community

The Harlem Fine Arts Show was not just a colorful art fair; it was a fantastic celebration of the splendor, wealth, and cultural power of the African Diaspora. It had for Bleucalf Magazine the honor of being a media partner to an event that fully embodied the spirit of Black History Month-Accepting our past, celebrating our present, and creating a dynamic future through art, commerce, and conversation.

Renowned artists such as Jacob Lawrence, Leroy Campbell, Luca Goly, and Shaniqa Benitez graced the event with their groundbreaking work and artistic perspectives, further adding to the exhibit,

Upon entering the exhibition space, there was an electricity in the room filled with elegance, creativity, and intentionality. HFAS once more validated itself as a platform for these Black artists, collectors, fans, and entrepreneurs to endorse and invest in one another. The curation was phenomenal—each artwork bore silent witness to a powerful story that resonated poignantly to the audience, reminding us that our history, struggles, and victories are inflected into every stroke, every piece of statuary, and every canvas.

Panels that were informative yet captivating sparked critical debates with art, business, and community at their intersections. Some conversations focused on Black wealth and land ownership, and on the economics of art. These ideas provoked the audience to consider how resources, knowledge, and capital interact and relate to our community. HFAS was not only about celebrating Black art; it was also about calling onto the world economic power that lies within our culture and the necessity for reinvesting in ourselves.

Outside of the art, the event took form in a broader message: that the strength and potential of collective advancement translate into life. HFAS 2025 dramatically illustrated that whenever we come together—not just for appreciation, but also for economic empowerment—sustainable pathways to growth are created. The evidence cannot be denied: Black wealth, Black creativity, and Black excellence undergo a process of verification and cannot be halted in their progressive march when tended to as a united community.

The HFAS space presented an interesting potential for establishing connections and collaborations. Artists networked with collectors; entrepreneurs intermixed with visionary thinkers; and the program ignited talks that would instigate future projects. Creativity and ambition clashed in a heart—confirming that these partnerships are pertinent to advancing and sustaining Black art and commerce.

Artist: Gerald Byrd @ Kente Royal Gallery

HFAS 2025 essentially stood as a refreshing reminder of how far we have come and how much farther we can go. It complemented the mystique of the Black History Month celebrations, once more applying the urgency to protect, preserve, and develop our cultural legacy whilst investing in future generations of Black artists and entrepreneurs.

Our team was proud to participate in such an important event. We will continue to support those Black artists and creatives who move culture into the future. The Harlem Fine Arts Show 2025 was more than just an event; it was a movement, a clarion call, and an affirmation of the power that is alive in our community.

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"Naderson Saint Pierre: Fearless Creation, Unstoppable Journey"

It takes a different level of vision and tenacity to migrate from your comfort zone into a high risk yet adventurous life. A deep dissatisfaction with the idea of monotony, and persistent call for change. Most artists are naturally rebellious, but this one in particular, creates as if every single day of life is his last.

Naderson Saint Pierre born in Gonaives, Haiti has such an interesting perspective when observing people. A deep thinker you’ll rarely find him speaking in a room unless he’s describing his work. He prefers watching and listening to others to better understand how we as humans interact and form relationships and build community. Based off his observations he creates works, inspired by identity, relationships, social and political issues.

I’ve had the privilege of seeing Naderson adapt to life in New York for the past two years, and has journey most definitely has not been an easy one. But his drive has never faltered nor has his vision been obscured. In fact, with every single setback, he bounced back harder with more determination, adversity and affirmation that he was headed on the right path.

When I first met Naderson Saint Pierre it was during a group exhibition at Basquiat’s Bottle, entitled Basquiat Lives curated by Danero Elle. The exhibition featured the works of Watson Mere Doudgy “Dew” Charmant and Naderson Saint Pierre paying homage to Basquiat, by way of three talented Haitian artists. Well curated in a black owned events venue, exhibition was accompanied with an artist talk, where we were able to hear the purpose and drive behind each individual Artist, and what motivated them to create.

Naderson is motivated and influenced by self improvement and personal growth. His own journey with self improvement was motivated by his craft. Delving into his craft he was able to fully appreciate his life by way of the artistic therapy that painting provided him. He says:

“As an artist, there is no greater pleasure for me than finding genuine growth and improvement in my projects. As I have grown and matured, so has my art. My priority is to create a better understanding and address the elephant in the room. Political and other social issues. As an artist, I alone cannot change society for the better, but I can only transform my own consciousness into my work to inspire others. The goal is to add a little seed of love, unity, and peace within everyone. “

“The Lady in the Hot Shower” Acrylic on Canvas, 48x48 IN 2024

His work provides a visual reminder to viewers that we are simultaneously going through this human experience together. It’s a reminder for us to look inward to find solutions to the external life problems we experience, while holding grace for each other, and for ourselves. And above all else moving in love. It made me wonder how he was able to achieve such balance in his mentality. Life wasn’t always this sweet and things weren’t always that clear for him.

Born in Gonaives Haiti, Naderson grew up with his mother and sister in a small community in a rural area. Living among nature with the simpler things, he was truly able to appreciate the aspects of family values. His childhood wasn’t tainted by external material obsessions, but by spending time with his older sister Leslyne and his mother Saintana Raphael he learned to value personal time and familial bonding. It was through his love for them that he developed a deep respect and reverence for women, learned from his matriarchal upbringing and we can see that respect and love translated in his work as well.

Take for instance his piece “The Lady Who Killed Her Abusive Husband” which was created in 2021, five years after he began to fully delve into his career as an artist. This work is a very graphic piece that illustrates the aftermath of a murder. A naked woman is the subject, and here we can see the nude body is representing the vulnerability of the situation. She is sitting on the bed that she once shared with her husband. From the stark red background it’s shocking one into mesmerized focus on the woman who is highlight in blue outline, the subtle color setting the tone for sadness at the situation she must now face after protecting herself at the cost of her tormentor’s life. Eeriness and emptiness tinge the air, the viewer can imagine that the room is eerily silent, yet fraught full of thoughts fighting for dominance. The lady sits pensive, hands clasped perhaps in self soothing or grappling in anxiety for what’s to come, her husband’s lifeless body lies behind her, beheaded.

“The Lady Who Killed Her Abusive Husband” Acrylic & oil pastels 24 x 20 in

When I first saw this piece, I questioned his inspiration when he came up with this concept. But thinking back to his character, he is an avid people watcher. By listening intently to people as they discuss their personal experiences, other people’s lives become inspiration for his work. Although he has not experienced any form of domestic violence, he has proved it’s quite possible to imagine the direct perspective of a woman in that situation. His ability to empathize with others and to see them for who they are in a loving and humanizing way allows him to portray their stories with nuance and space for collective understanding and appreciation. He uses his talent and vision to amplify the voices of those who may not have the words to stand up for themselves, utilizing his art as an agent for change.

Never one to shy away from controversial topics and real life experiences, Naderson created a bevy of works during his first year in New York while being homeless. Upon arriving in New York for his exhibition, Basquiat lives, Naderson came with his works, and a suitcase. Fueled by his passion, he created a new piece every single day in the MTA subway. Each day he would create a work he would sell and use that money to spend another night in a hotel that he stayed in East New York.

At the time of his arrival in New York he did not have any immediate family that he relied on. However, his trust in self, his trust in his artistic abilities and his innate hustle and self investment came together to empower him. It was by this power that he was able to raise money each day because of his consistency and inability to give up on himself. Naderson’s courageous spirit brought him supporters without them even understanding how much he sacrificed to be present in this city, living his dream. When he wasn’t painting at the 86th street stop on the 4 train, he found himself in the artist’s hub- Washington Square Park. It was there that he began to paint in front of a larger audience. In Washington Square Park, he built a community of fellow artists, and while supporting each other as they all created works in the summer heat, he found the connections, friendships and networking landed him in many more exhibitions.

From April 2022 to present day Naderson Saint Pierre has exhibited in over 30 shows in New York City. The exhibitions range from the art collective Brooklyn Art Cave in Bushwick to established galleries in Chelsea, Soho and Harlem. This highlights his versatility and timelessness in his portfolio. Each space allows his work to take center stage and capture the hearts of many. He also maintained two residences in the Oculus by way of the program Art on The Ave founded by Barbara Anderson in the heart of the Financial District in Manhattan. He currently teaches in an after school program called SPARK, motivating children to create and learn more about their innate sense of creativity.

- Jomani Danielle

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Albert Wright: Art as Redemption

A Life Shaped by Adversity
Albert Wright, a Brooklyn-based abstract artist, has carved a path in the art world that reflects both his struggles and triumphs. His work, showcased across galleries in SoHo and through collaborations with the Leslie-Lohman Museum's Project Space, carries an emotional depth rooted in personal history.

Painting became Wright’s lifeline during the most challenging periods of his life. From incarceration to overcoming addiction, art offered him a means to process pain and channel his experiences into something greater. What began as a form of therapy grew into a lifestyle and career, where each canvas serves as both a refuge and a declaration of resilience.

The Emotional Power of Color
The piece accompanying this article captures the essence of Wright’s artistic approach. Explosive reds and yellows set against deep blacks create a striking tension. These colors don’t merely sit on the canvas—they leap, swirl, and collide, reflecting moments of chaos interspersed with clarity. Wright’s work often carries this kind of energy, born from a process as raw and visceral as the emotions he captures.

His confidence radiates both in his demeanor and his creative decisions. Wright dictates the course of each piece, deciding when it reaches its full expression. His control over the flow and movement of his work mirrors the reclamation of control in his own life.

An Enduring Legacy of Inspiration
The impact of Wright’s art extends beyond his own canvas. It has inspired the very foundation of Bleucalf Magazine. For its Founder and Editor-in-Chief Bleu Pablo, Wright’s journey from adversity to expression symbolizes the power of creativity to shift narratives and elevate voices. His legacy forms the backbone of the magazine’s commitment to showcasing stories that reflect resilience and authenticity.

Albert Wright’s work offers more than visual appeal—it is a narrative in motion, a glimpse into a life reclaimed and rebuilt. His art challenges viewers to engage with the layers of emotion embedded in each piece, leaving a lasting impression that transcends the gallery walls.

Writing by: Bleu Pablo

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Marc Andre: A Creative Force Redefining Boundaries

(Photography by: Reuters/Andrew Kelly) Marc Andre @ Yeezy Season 3 Collection

Born in France, Marc spent most of his formative years in Paris exploring fine art and culture before moving to the U.S. at the age of 14. Marc Andre is a multidisciplinary artist whose work spans hip-hop and visual art. His creations blend multicultural roots with a contemporary, neo-expressionist style. Now based in New York, Andre produces art that challenges norms and celebrates individuality, drawing from African heritage, childhood imagination, and the bold energy of hip-hop culture. Initially making his mark in underground hip-hop, he transitioned to visual art in 2021.

Roots and Influences

Andre’s artistic foundation was shaped by his upbringing. Traveling with his mother, he encountered a wide range of Pan-African art in museums and exhibitions. These early influences are evident in his work, which incorporates tribal masks, vibrant colors, and dynamic mark-making. His style pays homage to his roots in Benin and Equatorial Guinea while offering a fresh perspective for modern audiences.

"My background continues to inspire everything I do," Andre says. "Knowing where I come from helps me grow creatively and personally."

Breaking Boundaries

Marc Andre's work challenges traditional art spaces by advocating for inclusivity and accessibility. His exhibitions, including those with provocative titles, critique the exclusivity of the art world. His first solo show, African Inferno, debuted at Brooklyn’s DoorDoor Gallery and was later featured at a contemporary art fair in the Hamptons.

Through bold compositions using acrylic and oil sticks, pieces like Together and Fashion Week (2022) blend abstract and figurative elements. His approach, which he describes as "organized chaos," reflects the energy of tribal rituals while incorporating humor, theatricality, and the rhythm of urban life.

Life Between Cultures

After moving to the U.S. in 2015, Andre describes himself as a "global citizen." His French upbringing, African lineage, and New York experiences blend seamlessly into his art, addressing universal themes of identity, creativity, and resilience.

Andre finds inspiration in his surroundings. He cites La Cabra café in New York’s East Village as one of his favorite spots, offering a unique vantage point to observe the city’s dynamic energy.

Capturing the Essence of Play

Andre’s work continues to channel creativity of childhood. "Kids create with purity and freedom," he explains. His art invites viewers to embrace spontaneity and joy, encouraging a return to an unfiltered sense of expression.

Looking Ahead

As his artistic journey progresses, Andre continues to bridge disciplines, combining visual art, music, and performance to challenge narratives. His work uplifts, aiming to inspire meaningful Impact in our community.

Andre’s art has been featured in notable collections, including the Tim Okamura, Julia Lang, and Westside Gunn collections. He has also modeled for Yeezy Season 3. Whether working with paint or digital media, Marc Andre’s work bridges past and present, tradition and innovation.

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Jeffrey Melo: Art, Identity, and Empowerment

In the contemporary art scene, Jeffrey Melo emerges as a beacon of creativity and activism. A Dominican-American artist born in the Bronx, Melo utilizes his paintings, sculptures, and murals to illuminate the narratives of marginalized communities, especially those of Black women—figures often overlooked in broader art discourse. His work encapsulates history, culture, and the richness of human experience, revealing untold stories that resonate deeply with audiences.

Melo's artistic journey began at the University of the Arts in Philadelphia, where he earned a BFA in Illustration in 2012. This foundational period equipped him with vital technical skills while exposing the challenges of gatekeeping within the art world. "Illustration taught me how to work as an artist, not just theoretically," Melo reflects, illustrating the complexities he faced in carving out his voice in a field that frequently sidelines figurative work.

The cultural upheaval of 2018, which sparked a national reckoning around race and equality, marked a pivotal moment for Melo. As a first-generation American with Dominican roots, he found renewed purpose in art, driven by a desire to make his voice heard. "I wanted to make my voice heard," he shares, which became the catalyst for his return to the canvas, reigniting his passion for portraying the intricacies of identity

**Photography By:** Elijah Martinez @thatninjajay

Melo's work predominantly centers on figurative painting, with a strong emphasis on Black subjects. His portraits are both a testament to and a critique of the art world's historical neglect of Black bodies. "They're people you would never notice unless they were on a canvas," he explains, highlighting the transformative power of art to elevate everyday heroes—nurses, teachers, and community leaders—whose stories often remain untold. Each portrait acts as an archive, ensuring these faces are seen and revered, prompting audiences to engage deeply with the narratives they embody.

Through his oil paintings, Melo provides a window into familiar yet often overlooked experiences, encouraging curiosity and accountability. "My aim is to provide the audience with the tools to get inquisitive when considering very familiar stories being presented through unfamiliar characters," he emphasizes, advocating for a more inclusive approach to storytelling in art.

Melo’s is further empowered by his passion for martial arts, particularly jiu-jitsu. This discipline informs his creative philosophy, fostering resilience and patience. “The most successful martial artists have a boring routine,” he notes, drawing parallels between the rigorous training required in martial arts and the dedication needed in art. "You show up every day, do the work, and progress slowly over time." This mindset has been pivotal in his development as an artist, teaching him that mastery comes with commitment and perseverance.

Melo's artwork is a reflection of larger societal conversations regarding Black art and representation. While strides have been made in elevating Black portraiture, he asserts that an urgent need remains for diverse voices in the narrative. “Black portraiture has been pushed into the art world in ways that weren't possible before, but that doesn’t mean there isn’t space for more voices,” he affirms, reinforcing the importance of expanding the conversation around representation.

In his discussions about the art world, Jeffrey emphasizes the importance of community and relationships. He acknowledges the systemic barriers that Black artists face, stating, "We have to be okay with the uncomfortable." By building genuine connections with collectors and fellow artists, he has cultivated a supportive network that fosters growth and opportunity.

"True collectors are those who appreciate the art and support the artist, not just for potential financial returns,"

Melo explains. He stresses the necessity of nurturing these relationships, which can lead to new opportunities that extend beyond immediate sales. Looking ahead, Jeffrey Melo is eager to push boundaries in his artistic practice. "I want to dabble in other mediums," he reveals, expressing a desire to explore larger-scale works that empower his subjects. He aims to transcend narratives of trauma, focusing instead on creating pieces that uplift and celebrate resilience.

"My work reflects the world I see—the people in my community, the stories that don’t get told,"

Melo states the importance that his art transcends aesthetic appeal. It serves as a call to action, urging viewers to engage with the humanity behind each piece.

As Jeffrey Melo continues to navigate the art world, his journey serves as an inspiration for emerging artists. Through his work, he challenges the status quo and advocates for a more inclusive narrative in art, ensuring that every voice has a place in the conversation. His contributions have been recognized through exhibitions with the Rema Hort Mann Foundation and the "One History, Two Versions" exhibition at the Spencer Museum of Art in Lawrence, KS. Additionally, he has completed artist residencies at Greatness Shack in the Bronx, NY (2020) and Arsenal Contemporary in Montreal, Canada (August 2022 - February 2023).

Jomani Kelly 12/10/24 Jomani Kelly 12/10/24

"Through the Lens of Empathy: Miguel Monti's Passage"

There’s a beauty in finding art in all forms and scenes and finding masterpieces in the monotony we call life. Miguel Monti possesses that ability in abundance. At the beginning of our conversation, he greeted me with such familiarity and joy that it immediately put me at ease to speak comfortably. Leaning back in his chair, he takes me to the beginning of his journey.

Born in Argentina, Monti moved with his family to Spain at the age of six. His mother was a doctor in Argentina and a professor at the university, so they lived in comfort in South America. Unfortunately, the family’s transition to Spain was not a smooth one. Upon their arrival in Spain, Miguel’s family faced economic hardship, when to their dismay, his mother would be unable to practice, so they had no job, which led to no income. During the difficult time his mother decided to practice yoga, she looked for many ways to find inner peace despite the turmoil. Monti closely watched his mother’s journey in searching for inner peace while finding his own by painting at a young age.

Monti recounts that the children were bullies when transitioning from Argentina to Spain. As a South American immigrant, they would often tell Monti he didn’t belong. But finding his strength while facing xenophobia at such a young age, he remained optimistic about a future with peace through art. Art was Monti’s solace. He made it known that he used it as a tool to bring light despite the darkness. He identified the darkness as ignorance at an early age, stating that it’s dangerous because it can keep you from learning your true self. His takeaway was that depression stems from society, materialism, family, but we can always turn inward to find that wisdom and inner peace.

When he was younger, Monti faced a lot of inner turmoil, often turning to drugs to find solace. Finally, he decided enough was enough. Moving to meditation, Monti chose to rely on spirituality, and to his surprise, he found that the practice of Zen significantly changed his perspective. The spirit of Zen showed him that everything is God and everything is expression. Every moment of painting brings him peace.

While he was able to expand his perspective, we see Miguel’s artistry evolve. A multifaceted artist who not only paints, he allows photography to develop his talents in telling the stories for those who may be unable to narrate their own lives. “I take photos of the homeless, to paint them” he told me while recounting the many lives he’s interacted with that no one else seems to see. “Yes, they are homeless, but they are people, and their stories need to be told. I want to show that these people are the same. They have the same energy and the same purpose. They are so full of love and strong presence, some people have a plethora of money but no soul.”

Inflamed with passion for the injustice of many who are often ignored, Monti resonated with them. He would often hold conversations with them and build a connection with them before finally capturing them on camera. Inspiration strikes Monti on a level that transcends the aesthetic; it’s not a mere surface-level portrait he aims to grasp but the soul's essence. Monti has moved with integrity in his life and artistry that shows his value of human life and his ability to honor others’ perspectives purely and respectfully.

Writing - Jomani Danielle @jomanidanielle

Bleucalf LLC 12/8/24 Bleucalf LLC 12/8/24

The Art of Humanity: Marcus Antonius Jansen’s Path of Expression, History, and Change

Marcus Antonius Jansen’s art captures history, identity, and the essence of humanity. From his roots in Queens to becoming a globally recognized artist, Jansen’s life reflects resilience, cultural discovery, and a relentless pursuit of societal betterment.

A Creative Spark

Jansen’s artistic path began in a classroom in Queens, where a painting of a lion earned him recognition at the Lever House in Manhattan. "That experience taught me that art isn’t just for decoration but a way to make an impact and express oneself," Jansen recalls. This moment ignited his passion, further enriched by the graffiti culture of the 1980s. Influenced by trailblazers like WEST, Jansen embraced the raw creativity of street art while integrating techniques from European painters he encountered during his time abroad. These experiences shaped his distinctive style, combining personal expression with social awareness.

Urban Influence

Growing up in the Bronx during the economic struggles and cultural shifts of the 1960s and 1970s deeply influenced Jansen. "The city’s diversity, unpredictability, and vibrancy inspired me to create art that had something to say," he shares. His summers immersed in graffiti culture sharpened his vision, rooting his artistic approach in the city’s complex social dynamics.

From Soldier to Humanitarian

Jansen’s life took a dramatic turn when he served as a Gulf War veteran. The devastating effects of war prompted him to question imperialism and global conflicts. "I decided to advocate for humanity through my art," he explains. Post-discharge, art therapy reignited his creativity. Today, his work addresses colonialism, systemic inequality, and racial hierarchies, using distorted imagery to challenge mainstream narratives of power and privilege.

The Faceless Series: Power and Anonymity

One of Jansen’s most celebrated works, the Faceless series, explores themes of control and invisibility. The faceless figures in these paintings symbolize hidden structures of power. "They reflect the forces that manipulate our lives yet remain unseen," Jansen explains. The series has earned international acclaim, with pieces displayed in renowned collections, including that of NBA star Jimmy Butler, as featured in Architectural Digest.

Art Beyond the Canvas

In 2019, Jansen launched the Marcus Jansen Foundation to support artists and marginalized communities. "We wanted to focus on helping others, especially those with disabilities," he notes. The foundation has funded initiatives tackling food insecurity and supported grassroots projects in the Bronx, aligning with Jansen’s mission to uplift underrepresented voices.

New Frontiers

Jansen’s upcoming projects highlight his global outlook and creative evolution. Plans include a collaboration with Swedish company Limitato for a clothing line and his first solo exhibition in Sweden in 2025. Despite his international success, Jansen remains grounded, committed to creating art that inspires empathy and drives meaningful conversations. "I want my work to reflect humanity’s shared experiences and encourage positive change," he emphasizes. To young creatives addressing societal themes, Jansen advises: "Focus on finding your unique voice. The world needs your perspective, especially now."

Art as a Catalyst for Change

Jansen’s work transcends visual beauty; it’s a call to reflect, challenge, and connect. His journey from New York’s streets to global acclaim demonstrates art’s ability to inspire dialogue and transformation. Through his creations, Jansen continues to spotlight the human experience, urging us to strive for a more equitable world.

Bleucalf LLC 12/3/24 Bleucalf LLC 12/3/24

Resilience Redefined: The Extraordinary Journey of Dr. Margarita Rosa

Bishop Gallery, Photography by @bleupablo, Artwork By: @amaryllisrflowers

In the world of art and culture, few names shine as brightly as Dr. Margarita Rosa's. A tour de force in her own right, she has defied expectations and shattered glass ceilings, emerging as a powerhouse curator, historian, and community builder. Her remarkable journey from the Dominican countryside to the hallowed halls of academia and beyond is a testament to the power of resilience and passion.

Born in the small town of Tenares, Dominican Republic, Rosa's early years were imbued with the richness of nature and a deep appreciation for her roots. At the tender age of five, her family immigrated to Jersey City, New Jersey, where she found herself navigating the complexities of a new culture while honoring her Dominican heritage.

Raised in an environment of poverty, Rosa's path was anything but predestined. "When you were a girl growing up in Jersey City, the biggest thing that you think that you could be is potentially a video vixen, come to then realize that you can be that if you want and be a university professor. There’s duality in both,” she recalls with a hint of nostalgia. Yet, her unwavering determination and involvement in extracurricular activities, including serving as the co-captain of the cheerleading team and class president, paved the way for her acceptance into Rutgers University through an affirmative action program—a pivotal moment that would shape her future.

With an insatiable thirst for knowledge, Rosa thrived academically, earning admission to prestigious institutions like Harvard, Princeton, and Stanford for her graduate studies. She ultimately chose Princeton, where she spent six transformative years honing her craft as a historian, specializing in Caribbean history and the study of rebellion.

Bishop Gallery, Photography by @bleupablo, Artwork By: @Amelia.Projects

However, it was her profound encounter with the art world in 2020 that ignited a newfound passion. During a visit to the Museo del Barrio's "Estamos Bien" exhibition, Rosa was struck by the familiarity of Jamira Collado's soap installation, instantly transporting her back to her Dominican roots. This visceral experience, combined with the raw emotion evoked by Raelis Vasquez's paintings, propelled her into the realm of art criticism.

"If there's anyone that should be writing about Caribbean art, it's me," Rosa proclaimed, driven by a desire to bridge the gap between the artists' lived experiences and the often-detached perspectives of mainstream art critics.

From that pivotal moment, Rosa embarked on an unconventional journey, leveraging social media as her first "resume" and forging connections with galleries and artists alike. Her unique perspective, informed by her academic background and lived experiences, quickly established her as a sought-after voice in the art world.

Bishop Gallery, Photography by @bleupablo, Artwork by: @Maiyaleaart

Today, Rosa's impact extends far beyond the confines of the art world. As the founder of Rosa Projects, she has created a platform dedicated to fostering pivotal collaborations between artists and brands, while also championing underrepresented voices and communities. The upcoming Rosa Projects Women Artists Apprenticeship program exemplifies her commitment to empowering women of color artists, providing them with invaluable mentorship, professional development, and opportunities for institutional recognition.

"I do prioritize Black women in everything I do," Rosa affirms, recognizing her structural privilege as a Dominican woman and the importance of elevating voices that have long been marginalized.

Beyond her professional endeavors, Rosa's dedication to community service shines through her involvement with organizations like Latinas y Líderes and Mi-si, which support young girls and survivors of the sex trade, respectively.

As an artist, curator, and entrepreneur, Dr. Margarita Rosa embodies the very essence of resilience—a quality that has propelled her from the small town of Tenares to the forefront of the art world and beyond. Her journey is a powerful reminder that our roots, no matter how humble, can be the foundation upon which we build extraordinary legacies.

Writing Credits:

Written by: Bleu Pablo @bleupablo
Co-Auth: Rosa Guadalupe @Rosaguadalupe_art

Photography: Bleu Pablo
Photography Assistant: Damany Campbell

Bleu Pablo 11/27/24 Bleu Pablo 11/27/24

Kadeem Philip, aka Life of Deem explores autobiographical meaning in paintings

Born and raised in Brooklyn, New York, Kadeem first started drawing when he was around five years old. He says his mom, a fashion designer, was his first teacher, but it was his uncle who introduced him to graphic novels and really made him interested in drawing and sketching.

“Everything has been an accident.”

That is how Kadeem Philip, aka Life of Deem, describes his art career so far. The visual artist and illustrator says he never really planned on becoming an artist. He turned to art during difficult times in his life to help him express his emotions and channel his thoughts. In 2014, he took a leap and has worked on his art ever since.

When he was 14, Kadeem said he had stopped drawing altogether. He was starting high school, and he was not sure if he wanted to be known as the “artsy kid.” At the age of 20, during his first battle with depression that art came into his life again. He saw a close friend of his, whom he did not know was an artist, drawing, and that encouraged him to start drawing again. During his final year in college, Kadeem said he knew he wanted to be an artist. He said that he was a DJ at the time, so he had an artistic outlet, but drawing and sketching made him feel at peace. He said, “I didn’t even know about Michael’s at the time… I didn’t know which materials were low grade, expensive, or cheap; I just bought materials and taught myself to paint.”

Kadeem is not trying to fit a particular niche; he just creates what he feels. He has made two series, Colors and Kadie. The Colors series is dedicated to the women in his life and the women of the world. Each color and feature seen in the portraits is deliberately chosen to represent some aspect of the women’s life. In one piece, a portrait of his mother, he broke down why he decided to include some aspects in her painting to create a complete picture of her. The various shades of purple represent his mom’s favorite color, lavender. These purple hues also represent some nostalgia for the artist as purple was the color of his mother’s bedroom when he was growing up. The purple butterflies symbolize lupus, a disease that his mother is currently living with. The lotus flowers, grown in the dark, murky environments into something beautiful, represent his journey with his mother. “With my mother being a single parent, it was hard going up, but that time in my life was beautiful.”

The series Kadie is his life. All its good, all of its bad, and all of its changes. The series centers on a drawing of a stuffed bear. The bear is a little beaten up. There is a band-aid on his left eye and a tear in his left shoulder. Kadeem drew the bear for a previous project but never planned to create a series around it. It wasn’t until he was injured at work that he found himself relating to the bear, with his own dislocated left shoulder and an injury to his left eye. He decided to turn this bear drawing into a painting, and people couldn’t stop asking him about the story behind it. He said, “The bear is me telling what I feel and go through.” Self-portraits, he says, where you show yourself in pain are not always the easiest to share with family and friends. So the bear became a medium through which he can share all his feelings, positive or negative, in a way that draws people in and makes them want to know more. Kadeem says that the “Kadie” series will continue with him and serve as an autobiography of his life.

Kadeem plans to take his art on tour one day, both nationally and internationally. He says he would most love to do shows in Tokyo, Paris, and Switzerland. Another goal of his is to collaborate with big brands, like Nike and 10deep, and smaller, local businesses in Brooklyn. Kadeem started supporting himself solely through his art two years ago. While it hasn’t been easy, he says he is fulfilled and enjoys “moving how he wants. “ He is currently working on a graphic novel for kids and a partnership with Thrive Collective, an organization that not only puts murals in schools but also teaches kids to paint murals. He says that at this point in his life, he is choosing projects, not just looking to be compensated for his work but feeling fulfilled and enjoying the work he does.

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Demarcus McGaughey's rebellion Toward Complacency, Negativity, And Submission

Demarcus McGaughey expands the definition of love in action - whether extending the legacy of his loved ones through vibrant visual artwork or contributing inspirational messages of strength and positivity to the black community.

He delivers both forms in depicting the departed artist, friend, and "guardian angel" Taufeeq Muhammad in When You Believe. He portrays Muhammad in an aspirational upward gaze, face framed by a nimbus pulled straight from the stained glass windows of a 17th-century cathedral and splashed with a stylized neon pattern. Demarcus recites his dear friend's affirmation, "When you believe, everybody else around you will believe." making the painting shine a little brighter.

Demarcus' attitude is solidified through an active rebellion toward complacency, negativity, and submission to doubt. His art wisps itself through and around community and entrepreneurship, two concepts attached at the hip. An appropriate artist to be featured in this Volume of Bleucalf, Demarcus places his brush at the center of Uptown ownership. A featured artist in ArtCrawl Harlem's Governors Island Residency Program highlighting 100 years of Harlem history, Demarcus reflects on the sheer bravery it took for NYC transplants to move themselves to Harlem in pursuit of their dreams. Despite every possible tribulation, they created an iconic cultural community and thrived beyond doubt.

Deeply inspired by their courage and the manifestation of success, Demarcus represents the fruition of culture, self-belief, ownership, and community in Ambassador of Harlem. The subject is draped in apparel designed by Black-owned companies. Accessories like the Ronald Draper Pin and The Very Black Project tee and even a Black-owned Bodega, brandishing the tagline, "Our Own Community" in the faded background, are nods toward the cultural motivation and representation McGaughey delivers.

Even with such a beautiful expression of positivity and inspiration, McGaughey is painfully aware of both the gift and curse of willpower and trust. He describes the choice all have - the decision to listen to the shouts of affirmation or the whispers of doubt. Trust portrays what it might look like to choose the whisper. The social experiment that eventually brought about the piece required subjects to partner up and express themselves with a limited arsenal of phrases: I trust you. I don't trust you. I don't know.

Demarcus sat before his partner and led by affirming his unshakably positive outlook. "I trust you." Laura, the subject and artist in her own right, negated his expression with honesty and intuition. "I don't trust you." Stunned, Demarcus considered the experiences that might have caused her response. He moves her direct expression away from himself in his artistic process, and though taken aback, he adorns her soul-piercing, defiant eyes in golden regality. He acknowledges the queen within her and calls himself and his viewers to stand in rebellion toward distrust.

“Trust in your mindset. Your gift. Yourself. ”

— Demarcus states.

This philosophy of self-belief persists in all of Demarcus' work and even his life coaching practice. It's his contribution to the world. He recalls a crystalizing line of advice from his own life coach in a moment of self-doubt. "People are waiting on you." As with most wisdom received in youth, this gem took a while to marinate for Demarcus. He clarifies, "People in the world are waiting on you." Conquering your dream inspires others to achieve their own. Those realized dreams inspire others. And so on, and so on.

Demarcus' philosophy around artwork and life itself reflects Tupac's fossilized line of truth, "I'm not saying I'm gonna change the world, but I guarantee that I will spark the brain that will change the world." In retrospect, Pac was modest, something out of character for the immortalized artist's distinguishable bravado. Demarcus similarly understands the domino effect of self-belief and the interconnectivity of a self-informed destiny. Thus, he views his artistic ambition and the responsibility to execute his vision as petals of the same flower.

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Amaurys Grullon: Empowering the Bronx Through Art and Entrepreneurship

**Photography by:** Paula Muniz, Bleu Pablo of Scott Bleu Studios

Amaurys Grullon, a creative social entrepreneur hailing from The Bronx, NY has carved a unique path with his impactful community engagement. As the co-founder and CEO of Bronx Native, he has not only championed Bronx culture but has also uplifted its community through various artistic endeavors and entrepreneurial ventures.

Early Beginnings and Entrepreneurial Spirit:

Born and raised in the South Bronx, Amaurys was deeply influenced by his upbringing and a passion for creativity instilled by his single mother and sister. He pursued his artistic inclinations through education at Bronx Community College and the School of Visual Arts, where he honed his skills in design and filmmaking. Inspired by his father's entrepreneurial spirit and dissatisfied with the lack of Bronx-centric merchandise, Amaurys co-founded Bronx Native in 2015 to celebrate Bronx culture while addressing social issues through fashion and community engagement.

Cultural Impact and Community Engagement:

Bronx Native quickly became the staple for positive change in the Bronx. Beyond just a fashion brand, it served as a platform for local artists, musicians, and creatives to showcase their talent. Amaurys organized numerous community events such as food drives, clean-ups, open mics, and artist showcases, creating spaces for cultural expression and community bonding. His efforts were recognized on platforms like Vice Land's "Hustle," highlighting Bronx Native's innovative approach to blending art, culture, and entrepreneurship. He has also collaborated with big companies like Netflix, MasterCard, PayPal, and the Yankees. Additionally, he has received continued support from celebrities including Kerry Washington, AOC, KRS1, Slick Rick, and Fat Joe.

Entrepreneurial Challenges and Triumphs:
Navigating the challenges of entrepreneurship, Amaurys emphasized the importance of perseverance and adaptation. From starting Bronx Native as a pop-up shop in 2017, which eventually evolved into a permanent cultural hub, to managing the complexities of running a business amidst societal shifts like the pandemic, Amaurys demonstrated resilience and leadership. His ability to pivot and innovate during adversity underscored his commitment to Bronx Native's mission and the community it served.

Vision for the Future:

Looking ahead, Amaurys continues to expand Bronx Native's impact. Plans include launching a nonprofit arm to further support local youth and artists, thereby fostering sustainable growth and empowerment within the Bronx. His dedication to creating a positive narrative for the Bronx and empowering its residents through art and entrepreneurship remains unwavering, inspiring a new generation of creatives and community leaders.

Amaurys Grullon's journey with Bronx Native exemplifies the power of combining creativity with entrepreneurship to drive social change. His commitment to celebrating and uplifting Bronx culture has not only reshaped perceptions but has also revitalized community spirit. As he continues to innovate and expand his vision, Amaurys remains a beacon of hope and inspiration for the Bronx and beyond, proving that with passion and perseverance, anything is possible.

In summary, Amaurys Grullon's entrepreneurial journey with Bronx Native underscores the impact of creativity and community engagement. His initiatives have not only celebrated Bronx culture but have also empowered local artists and residents, paving the way for a brighter, more inclusive future.

Photography by: Paula Muniz, Bleu Pablo of Scott Bleu Studios

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tanya weddemire: the artist’s crusader

Gallerist and Art Advisor: Tanya Weddemire
Photography By: @drishananicolephoto (Drishana Nicole)

Tanya Weddemire Gallery's booth at the Art on Paper Fair was a breath of fresh air, infusing the space with boundless possibility and a sense of wonder. In a reality where Black men are often forced to walk a tightrope just to preserve their lives, Weddemire’s paintings depict Black boys as the superheroes they truly are. Her work defies the societal narratives that seek to undermine Black life, and instead, it celebrates their power and potential.

Serron Green's Captain America Remixed Series at Art On Paper

Guy and Gregory chatting with interested Patrons

Reflecting on my interview with Tanya Weddemire about her exhibition at the fair, I was struck by the depth of the concepts behind the artwork. Inspired by Stan Lee's Captain America and his own love for comic books, Serron Green creates works that reimagines a young Black boy in a Captain America costume which shows that Black men are more than capable of embodying strength, courage, and heroism. In today’s world, where Black lives are too often disregarded, Weddemire curates an enchanting universe where these lives not only matter—they hold superpowers.

Speaking with the artist Serron Green gave me further insight into how Tanya Weddemire also empowers her artists and sets them up for success. Green and Weddemire began their journey as artist and gallerist in the latter part of 2023. Green was still new to the intricacies of how art display can change the reception of the work, he states Weddemire had helped elevate his work by introducing him to his current framer changing the quality of how his work is presented. Weddemire takes a personal investment in the collective growth of her ENTIRE team, artists and gallery as whole are designed to prosper.

The booth’s theme was “What’s Your Superpower?” which was curated from the perspective of an all black team ranging from the Gallerist to the Creative Director. When asked what his superpower was- Green’s automatic response to the question…

“Black is my superpower.”

- Serron Green

Guy Stanley Philoche gave great insight about his approach to the theme selected, his goals were to empower the children who destroyed preconceived notions and stereotypes, by simply doing what their dreams called them to do. Our superpowers don't live in an imaginary realm however they come from the internal strength we utilize to push past limits that were assigned to us and to willfully break those barriers every day. When asked about his experience in working with Tanya, Philoche spoke highly of how she continually champions other’s contributions to the art sharing and collecting process, he said “ I am in admiration of her connection with people the way she champions her artists- but she also champions her collectors. Art It is an investment, but she makes new collectors feel good about collecting a new work in their journey as art patrons”

"To the collectors: keep an eye on her—Tanya will be one of the top art dealers in NYC within the next five years."

- Guy Stanley Philoche

One area of the booth that stood out in her curation was Gregory Saint Amand’s Wall, which captures the nostalgic feeling of a Black boy imagining the world as his oyster. In one work, a simple tablecloth transforms into a cape, and a helmet has the power to transform the boy into a racecar driver, a superhero, or anything his heart desires. It tied in perfectly to Guy Stanley Philoche’s philosophy of giving people their flowers while they are still here, emphasizing the importance of validating black men’s existence and celebrating their worth.

When asked on how he felt about the curatorial theme of Superpowers and superhuman feats Gregory Saint Amand was enthused he expressed, “The theme was right up my alley- the subjects, young black boys, young brown boys, being repressed or excluded from our society in many ways. Ultimately they would eventually grow into the Superheroes that society did not expect them to be.” That point is seen time and time again as goal posts are moved and prohibitions are set in place to gatekeep sports, skills and even jobs. Gregory’s goal in sharing these works is to humanize the children that will eventually grow to accomplish great feats.

“Even when we are painted in a good light there is always an undertone of danger- for instance- you’re so good at a particular talent that you are a threat.”

-Gregory Saint Amand

Tanya Weddemire’s strength as a gallerist is rooted in the way she supports and forms deep connections with her artists. Her dedication to their growth builds their confidence and helps them navigate the many challenges that come in the art world—whether they take form as client feedback, curatorial direction, or the complexities of staying in sync in a gallerist- artist relationship. The gallery aims not just to showcase art but to align with each artist's personal goals. They amplify these stories, acknowledging the roles they both play as Black creatives in a predominantly white art world.

Through consistent meetings, recaps post-activations, and pre-activation conversations, Weddemire is very proactive and intentional- she takes a hands-on, personal approach with her artists. This ethos of providing quality service as an art advisor, artist supporter, and producer of fine art forms the backbone of her gallery’s mission.

Navigating the at times egocentric nature of the art world is a challenge Tanya doesn’t shy away from. She stresses the importance of patience and self-reminders of human limitations. Despite the gallery's youth, they manage expectations by being transparent about their goals—making them attainable within the bounds of time, affordability, and authentic investment.

Their relationships with venues like the Art on Paper, Hampton Fine Art Fair, Scope Art Show, LA Art Show , and Affordable Art Fair are built on transparency and storytelling. Weddemire Gallery’s growth and trajectory are openly shared on social media, creating an accessible and enjoyable space for art appreciators and investors alike. They genuinely care about the people they work with, fostering an active and inviting community

“Even when we are painted in a good light there is always an undertone of danger- for instance- you’re so good at a particular talent that you are a threat.”

-Gregory Saint Amand

Their relationships with venues like the Art on Paper, Hampton Fine Art Fair, Scope Art Show, LA Art Show , and Affordable Art Fair are built on transparency and storytelling. Tanya Weddemire Gallery’s growth and trajectory are openly shared on social media, creating an accessible and enjoyable space for art appreciators and investors alike. They genuinely care about the people they work with, fostering an active and inviting community.

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Malik Roberts: Shattering Boundaries, Igniting Inspiration

As we anticipate Malik Roberts' solo exhibition, “The Double Up,” at DStassi Gallery in London, we celebrate an artist who stands at the crossroads of traditional portraiture and contemporary themes. Roberts breathes new life into the complex narratives of identity, culture, and emotion. Born and raised in Brooklyn, New York, he is redefining the modern art world by challenging its outdated conventions and using his work to invite viewers into a deeper understanding of the human experience.

Roberts' journey into art began at a young age, he was heavily influenced by the colorful world of Brooklyn , NY and his exposure to multiple artistic styles. Upon arriving at his studio I noticed his library consisted of books ranging from contemporary Japanese art, to Picasso to traditional European period pieces. A testament to his studious spirit that allows him the curiosity to expand his practice, far beyond the confines of his comfort with the mundane. His early works were marked by a fascination with classical portraiture, yet he always sought to infuse these traditional forms with a modern twist. This blend of the old and the new has become a hallmark of his style, where he juxtaposes elements of realism with abstract forms, a mosaic of vast styles that display his perspective in clear yet fragmented lens.

Jomani Danielle w\ Interviewing Malik Roberts - Photography By: Bleu Pablo

Growing up, Roberts was surrounded by a range of influences — culturally enriched by his upbringing in New York City in a Trinidadian-Guyanese family — he navigated bificurated surroundings childhood experience that led his mind to open to many different cultures and traditions , that New York City childhood was interrupted by his family deciding to move to Atlanta, Georgia. These influences seeped into his work, allowing him to explore themes of race, identity, and societal expectations. His paintings often feature bold, colors and deconstructed compositions, reflecting the fragmented nature of identity in a world that is constantly changing.

One of the most striking aspects of Roberts' work is his ability to convey deep emotion through color and form. His use of bright, almost neon colors contrast sharply with the often somber expressions of his subjects, creating a tension that draws the viewer into his world. This friction is intentional, as Roberts seeks to explore the polarities of life — joy and sorrow, hope and despair, strength and vulnerability. Roberts' technique is as much about what he chooses to omit as what he includes. His portraits are often deconstructed, with faces partially obscured or distorted, challenging the viewer to look beyond the surface. This deconstruction is a metaphor for the complexities of identity, particularly in the context of race and culture. By deconstructing his subjects, Roberts invites the viewer to engage in the process of reconstructing identity, piece by piece.

For Roberts, the creative process is as much about discovery as it is about expression. He describes his studio as a space of constant exploration, where ideas evolve and take shape over time. "My process is very fluid," he explains. "I might start with a rough idea or concept, but as I start working, the piece takes on a life of its own. It's like a conversation between me and the canvas."

Roberts' commitment to exploring these complex themes is evident in his approach to his craft. He is meticulous in his process, spending countless hours refining his techniques and experimenting with new ideas. "I'm always looking for ways to push myself creatively, to explore new mediums and new ways of expressing the things that matter to me," he says. This relentless pursuit of excellence is what sets Roberts apart as an artist, and it's what keeps him motivated to continue creating.

This dialogue between artist and medium is central to Roberts' work, allowing him to explore complex ideas and emotions in a way that feels organic and authentic. "I'm always in conversation with my work, questioning, refining, and pushing boundaries," he says. This iterative process often leads to unexpected results, with each piece offering new insights and challenges.

At the center is a profound social commentary. His paintings are not just portraits; they are statements about the world we live in. Through his art, Roberts addresses issues such as systemic racism, social inequality, and the pressures of modern life. His subjects often appear isolated, trapped within the confines of their complex identities, yet there is also a sense of resilience and defiance in their gaze. Roberts' art has been described as a form of visual activism. By highlighting the struggles and triumphs of marginalized communities, he uses his platform to advocate for change. His work resonates with a wide audience, from art collectors to social justice activists, because it speaks to the universal human experience while also addressing specific cultural and political issues.

Over the years, Roberts has gained significant recognition in the art world. His work has been featured in numerous exhibitions, both in the United States and internationally. Roberts' exhibitions are more than just showcases of his talent; they are immersive experiences that challenge the viewer's perceptions. His work has been shown from traditional galleries to public spaces, where it cannot be confined, the goal in reaching a broader audience met in every activation.

As Malik Roberts continues to evolve as an artist, he remains committed to exploring new themes and techniques. His work is constantly evolving, reflecting his own journey of self-discovery and his response to the world around him. In a recent interview, Roberts spoke about his desire to push the boundaries of his art, to create work that not only reflects the times we live in but also inspires change. Looking to the future, Roberts is interested in exploring the intersection of technology and art. He is particularly fascinated by the possibilities of digital media and how it can be used to enhance traditional forms of art. However, he remains grounded in his love for painting, which he describes as his "first language." No matter where his artistic journey takes him, Roberts is committed to creating work that is authentic, impactful, and true to his vision.

Malik Roberts is more than just an artist; he is a storyteller, a commentator, and a visual griot. His work challenges us to look beyond the surface, to question our assumptions, and to see the world from a new perspective. As he looks to the future, Roberts is excited about the possibilities that lie ahead. He sees his work as part of a broader conversation about art, culture, and social change, and he is eager to continue contributing to that dialogue. "Art has the power to change the way we see the world, to challenge our assumptions and open our minds to new possibilities," he says. "I want my work to be a part of that, to inspire people to think differently and to see the beauty and complexity in the world around them.”

Interview and Writing by; Jomani Danielle

Bleu Pablo 7/18/24 Bleu Pablo 7/18/24

The Unseen Symphony of Art and Dance: A Magical Night at Oculus

Life in NYC can be known for having moments of complete surprises, which can lead to unforgettable experiences. Such was the case one phenomenal evening at the Meta Betties Art Gallery, where the inspired collaboration of Kanami Kusajima and Carlota Perez de Castro brought an extraordinary performance to life. We look to dive into their creative journeys, the inception of their partnership, and the profound impact of their art on the audience.

Meet the Artists

Kanami Kusajima

Photography by: @non.sleeper @ Washington Square Park

Kanami, originally from Japan, now resides in New York City. A dedicated dancer from the age of six, she pursued her passion through rigorous training and competitions in Japan. After moving to New York for college, she graduated during the pandemic and turned to street performances to connect with real people. This transition sparked her interest in live painting, merging dance with visual art, and ultimately led to her meeting Carlota.

Carlota Perez de Castro

Carlota, a gifted painter from Madrid, Spain, grew up in a family of artists. Her childhood was steeped in creativity, painting alongside her mother and family members. Carlota's artistic journey led her to exhibit her work globally, from Madrid to Australia. She sought to establish her artistic merit beyond her family's influence, successfully showcasing her art in various exhibitions.

The Collaboration

**Painted by:** ***Carlota Perez de Castro*** & ***Kanami Kusajima***

**Photography by:** ***@non.sleeper*** @ ***Meta Betties Gallery***

Carlota discovered Kanami performing in Washington Square Park, instantly feeling a profound connection. She left a note for Kanami, leading to their first meeting over coffee. They quickly realized their shared vision and decided to collaborate. With only two weeks in New York, they planned and executed their performance at Oculus with remarkable speed and synergy.

Their collaboration, held at Oculus, was a mesmerizing blend of dance and painting. Kanami began the performance with breath taking movements, gradually becoming more energized as Carlota introduced paint into the act. The performance symbolized creation, with Kanami’s dance and Carlota’s painting intertwining to depict the flow state artists aim for. The audience, captivated by their synergy, witnessed an intimate portrayal of artistic expression.

Photography by: @non.sleeper @ Meta Betties Gallery

The preparation was intense yet fluid. They rehearsed in Carlota’s studio, with Kanami selecting music that resonated deeply with their theme. The performance set, designed to evoke intimacy in the vast space of Oculus, enveloped the audience in a cloud of whiteness, drawing them into the personal journey of creation.

The performance was not just an artistic display but a powerful statement on the necessity of art in challenging times. Both artists emphasized the importance of bringing art to the streets, especially during the pandemic when traditional venues were closed. Their work reminded everyone of the profound human need for artistic expression and connection.

Carlota Perez de Castro and Kanami Kusajima’s collaboration at Oculus was a testament to the magic that happens when creative minds unite. Their performance transcended boundaries, leaving an indelible mark on all who witnessed it. As an editor and an artist, I am inspired by their journey and look forward to future collaborations that continue to push the boundaries of art and dance.

"We steered it from the idea," Kusajima recalls, reflecting on the inception of the project. The concept was rooted in mental health awareness, and the Meta Betties Gallery accepted the performance for their Mental Health Awareness Month “Mind Matters” exhibit. Kusajima shared her vision with Perez de Castro, emphasizing the event's core themes and the symbolic use of green—a color representing nature, healing, and vitality. To Kusajima's surprise, Perez de Castro had been contemplating the same color. This synchronicity marked the beginning of their creative journey.

Photography: Bleu Pablo @ Meta Betties Gallery

For me, the performance was deeply emotional, especially when noting the isolation and longing for human touch experienced during the COVID-19 pandemic. Kusajima and Perez de Castro's tactile interaction—passing paint and energy between them—really resonated with the audience, highlighting the profound human need for physical connection. Kusajima recalls the special significance of touch during a time when it was restricted, describing the experience as both emotionally overwhelming and healing.

Kusajima's experience was empowered by the technical and creative collaboration with Perez de Castro. Used to calligraphy ink, Kusajima adapted to the textures and properties of acrylic paint, observing how Perez de Castro's color compositions transformed their shared space. This sensory-rich process allowed Kusajima to learn through touch, sight, and sound, enhancing her understanding of the interplay between movement and visual art.

For Perez de Castro, the dynamic of the performance was unique. Unlike her usual guided work with dancers, she embraced Kusajima's spontaneous and intuitive movements. Perez de Castro cherished the moments of observation and support, finding a balance between leading and following. This mutual respect and flexibility underscored their partnership, making the performance both powerful and authentic.

Via Youtube: Kanami Kusajima and Carlota Perez de Castro Performance @metabetties "Mind Matters" Exhibition

The spontaneity of their collaboration was epitomized by the serendipitous nature of their meeting and the decision to proceed with the performance despite the official event's cancellation. Kusajima's determination and Perez de Castro's enthusiasm turned potential disappointment into an opportunity for artistic expression.

When asked about advice for emerging artists, both Kusajima and Perez de Castro emphasized the importance of seizing opportunities and embracing imperfection. "Jump, do it. It doesn't have to be perfect. Learn on the way," Perez de Castro advises. Kusajima echoes this sentiment, urging artists to remain their biggest fans and to believe in their unique vision, even in the face of rejection.

Kusajima's journey is a testament to resilience. Despite facing numerous rejections and contemplating changing her major, she continued to dance because of her unwavering belief in her own style. Her story illustrates the importance of self-confidence, especially in the often challenging world of art.’

The collaboration between Kusajima and Perez de Castro in serves as a powerful reminder of art's ability to connect, heal, and inspire. Their journey from concept to performance highlights the significance of human touch and the enduring power of creativity. For Kusajima, Perez de Castro, and Pablo, the project was not just an artistic endeavor but a deeply personal experience that underscored the transformative nature of art.

As Kusajima eloquently puts it, "At the end of the day, you are the only person who can believe in yourself until the last moment." This belief, coupled with the courage to embrace vulnerability and imperfection, lies at the heart of their artistic success and serves as a guiding light for emerging artists everywhere.

Written by: Bleu Pablo

Bleucalf LLC 7/8/24 Bleucalf LLC 7/8/24

Celebrating a milestone for Up Mag: A Journey of Street Art, Graffiti, and Community

As the fifth anniversary of UP Magazine is commemorated, it is an opportune moment to reflect on the incredible journey this publication has had. From humble beginnings to becoming a staple in the street art and graffiti community, UP Magazine's story is one of passion, resilience, and a commitment to celebrating urban art culture.

The story of UP Magazine begins with TK Mills, Editor-in-Chief. With an unconventional path that saw him transition from political science to art journalism, TK's journey to founding UP Magazine is as colorful as the art it covers. After a soul-searching trip to Cuba and an inspiring encounter with a Cuban graffiti artist, TK returned to New York with a new purpose. He started freelancing, covering the vibrant street art scene in Brooklyn, and soon realized there was a gap in the market for a dedicated street art and graffiti publication.

Gathering a small but passionate team, including Victoria Benzene, Christina Elia, and Lonnie Richards, UP Magazine was born. The first issue launched on June 20, 2019, and the response was overwhelming. Every copy sold out, and the magazine quickly gained a loyal following.

Over the past five years, UP Magazine has had many proud moments. From the very first issue's success to the impactful third issue launch during the pandemic, each milestone has been a testament to the hard work and dedication of the team.

The inaugural issue was a defining moment for UP Magazine. The positive reception and sold-out copies were a huge confidence boost, proving that there was a strong demand for a street art-focused publication.

The third issue, initially scheduled for March 2020, faced delays due to the pandemic. Despite the challenges, it was launched in October 2020. The small, socially distanced event at the Brooklyn Beergarden was a significant moment, providing a sense of normalcy and community during uncertain times.

A notable accomplishment has been working with artists like Dirt Cobain, who has since collaborated with major fashion brands. Seeing the artists supported by UP Magazine thrive is incredibly rewarding. Monthly Art Battles at Sour Mouse have become a staple in the community, offering a platform for artists to showcase their skills and gain recognition. The success of these battles, with their fair judging and community support, has been a highlight of the journey.

The recent five-year anniversary event was a resounding success, reflecting the growth and impact of UP Magazine. The celebration brought together artists, supporters, and fans, showcasing the vibrant and diverse community that has been built. An impressive number of copies and artwork were sold, further establishing UP Magazine as a key player in the street art scene.

As the future is considered, there is excitement about the possibilities. Goals include reaching the 10th print issue, expanding the global reach, and exploring new mediums such as a TV show focused on street art in different cities. The aim is to continue growing the community, providing a platform for artists, and elevating urban art culture.

For those looking to make their mark in the art scene or media industry, TK Mills shares two key pieces of advice: adaptability and persistence. The journey may be challenging, but with passion and resilience, success is attainable. Embrace the process, learn from setbacks, and always stay true to your vision.

As UP Magazine celebrates this milestone, heartfelt gratitude is extended to everyone who has supported the publication over the years. The enthusiasm and belief in the mission have been the driving force behind its success. Here's to many more years of celebrating street art, graffiti, and the vibrant community that makes it all possible. Cheers to the future!

Photography by: Hillary “H A V A” Mizrachi